
How almost any of this relates to Natalia and her grandfather, I don't know. Aside from it all supposing to be very Balkan. Despite Natalia saying that the key to understanding her grandfather lies between the stories of the tiger's wife and the deathless man, I struggled to pull together any grand connections between the stories and his life.
Then there's war. The entire book is painted on a backdrop involving various and numerous wars. Sometimes you get lost and can't remember which war caused what to happen. The author plays it as another facet of the Balkan cultural attitude, which may not be fair, I think. Certainly it's what led me to see the tiger and his wife as the "outside" and the "different" sparking conflict.
I do get the impression the author was trying to use animals to make us see plainly what humans hide, particularly the costs of stress from war.
I thought I would like this book more than I did. Which is not to say I didn't like it; I predicted that this would be an easy five stars for me, and it's a solid four instead. I'm not sure I completely got what the author was throwing out there, but I was able to interpret (i.e. make stuff up!) enough on my own to feel satisfied.
Final call:
I say read it, and don't stress out about trying to figure everything out on the first go. This is an impressionist painting done in words - individual parts may make no sense, but the overall effect is clear enough.
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